A group of masked Montagues risk further conflict by gatecrashing a Capulet party.
In tragedy the individual one person or a group is overwhelmed; in comedy the individual triumphs. In tragedy, as in comedy, five stages may be noted in the plot development: Let it not be thought for a moment that each of these stages is clearly differentiated.
As a rule they pass insensibly into each other, as they do in life. Especially is this true in a play like Romeo and Juliet, where the weaving of the plot is so close and compact. The Prologue briefly gives the setting and theme of the play and prepares us for a drama of pathos in which the destiny of two lovers is determined by fate and external circumstances, rather than by character.
Act I, Scene i. The thread of the feud action is here introduced with the peace-making Benvolio on the side of the Montagues and the fiery Tybalt on the Capulet side. The quarrel is suppressed when the Prince enters and, in the presence of the heads of the two houses which have thrice disturbed Verona's streets with broils, declares that death will be the penalty if civil peace is again threatened by their hatred.
This warning is a preparation for the tragic climax. The love action is suggested. The strangeness of Romeo's new mood is discussed by his parents and Benvolio.
When Romeo enters, it is soon discovered that the cause is unrequited love. Benvolio's determination to teach Romeo to forget this lady prepares the way for the change in the hero's feelings in the masquerade scene. Act I, Scene ii.
The entrance of Juliet is prepared for; County Paris is a claimant for her hand. Romeo consents to attend the Capulet masquerade. In the chance meeting of Romeo and Benvolio by the servant as he sets out to invite guests to the feast may be read the significance of the part played by accident in determining the outcome of the play.
Act I, Scene iii. Lady Capulet announces to her daughter in the presence of the garrulous nurse that Paris is seeking her in marriage and that she is to meet him that night at the feast. Act I, Scene iv.
Mercutio joins with Benvolio in urging the reluctant Romeo to forget his sad love affair and to enter into the spirit of the feast. The scene ends with a vague foreboding of the consequences hanging on the night's events. The complete mastery of fate over the destiny of these star-crossed lovers is emphasized in Romeo's helpless cry: The feast is on.
Romeo catches sight of Juliet and immediately is in love with her. Already the counteracting forces are at work. Tybalt, the chief antagonist, hearing his voice, recognizes him and is enraged that a Montague should dare attend a Capulet feast. He leaves the hall with a determination to punish this intrusion.
This is the motive to the complication of the feud action. Romeo and Juliet meet, love at sight, and part; and the dramatic entanglement has begun. Act II, Scene i. This scene explains Romeo's presence in the next. Mercutio's observations about Rosaline and love in general show that his companions know nothing of the change in Romeo.
Act II, Scene ii. By a masterly device the usual delays attending lovemaking are removed and the dramatic interest and entanglement intensified. By chance, again, Juliet in her confession of love to the heavens and the night is overheard by her lover himself, and he comes to her call.
In this, the famous balcony scenethe lovers plan marriage.
Through the scene are scattered presentiments of evil. Act II, Scene iii. The soliloquy of the Friar reflects the doom that awaits the love of Romeo and Juliet, while his knowledge of herbs prepares us for his later intrigue.
He promises reluctantly to officiate at a secret wedding and sees in this union a possible reconciliation between the hostile houses.
The scene ends with the significant words: The first part of this scene, where it is revealed that Tybalt has sent a challenge to Romeo, prepares us for the crossing of the feud action and love action. It also furnishes an opportunity for Mercutio to express his disdain of Tybalt.William Shakespeare The Tragedy of Romeo and Juliet Act 2: Rising Action.
The two lovers meet but cannot be together because of their families' long feud. Act 3: Climax. After crashing the Capulet party, Tybalt goes after the Montague crew and kills Mercutio.
To avenge his friend, Romeo duels with and kills Tybalt - Juliet's cousin. We might be in Verona, but don't think you're reading a travel guide: Shakespeare's setting of Verona is more like a shorthand for "exotic and crazy" than a real setting.
What we think is super coo You probably guessed that The Most Excellent and Lamentable Tragedy of Romeo and Juliet is, well, a. A perennial staple of high school English classes, Romeo and Juliet was written by Shakespeare at a relatively early juncture in his literary career, most probably in or During much of.
A complete summary of William Shakespeare's Play, Romeo & Juliet. Find out more about the classic story of two feuding families and a young couple's love.
Romeo and Juliet Summary. An age-old vendetta between two powerful families erupts into bloodshed. A group of masked Montagues risk further conflict by gatecrashing a Capulet party.
Romeo and Juliet: Analysis by Act and Scene. From Romeo and schwenkreis.com Henry Norman Hudson. New York: Ginn and Co., INTRODUCTION. Tragedy as well as comedy deals with a conflict between an individual force (which may be centered either in one character or in a group of characters acting as one) and environing circumstances.
Movie Versions: Romeo and Juliet (); Romeo + Juliet () The three most important aspects of Romeo and Juliet: The first half of Romeo and Juliet, with its bawdy jokes, masked ball, and love poetry, is more like a Shakespearean comedy than a tragedy.